Fette Sans


-- The Cabinet / A G I R L I C A
-- The bitter ends of (the technologies of tenderness)
-- When everything she was overthinking turned out to be true
-- Models of Adaptation
-- The night would lie during the day
-- Resonance of an awkward smile
-- (re-)discipline in [redacted]
-- If I can't sleep at night is it because I am awake in someone else's room?
-- TЕПЛИЧНOE РАСТЕНИЕ (hothouse plant)
-- I am afraid you could have been misled
-- Untitled [The Fabulist Hunting the Fringes]
-- La Reprise (Dérive)

-- Precarious Gossips

-- Editions

-- Info


The bitter ends of (the technologies of tenderness)

Installation, series of online/offline videos and performances. Unique. Dimensions variable.

Wood, foam, fabric, plastic sheet, stainless steel, hardware, cables,
facial masks, eyes and chin masks, massage oil, bathroom mirror
eatable liquids and solids, pills, surgical steel, glass, porcelain head, capsules display, bottle of pain relief pills,
video and sound,
1 pillow, bedsheet, duvet cover,
1 LED face mask,
1 laptop,
2 iPhones,
1 Arlo security camera.

Daybed or large pillows
1 TV monitor,
1 laptop.


Written and directed by Fette Sans


Group exhibtion HAUS, Vienna. September 21 - 27, 2020. Group exhibition Montag Modus, Berlin. October 13, 2021. Group exhibition Tender Points part of the Organ Vida Festival, Zagreb, July 1 & 7, 2022. Group exhibition I AM ELEVATING IN ALL WAYS at Kleine Humboldt Galerie, Berlin. August 4 - 12, 2022.


Install shot by Barbara Antal, October 13, 2021

Excerpt from the essay by Alison Hugill, Being-With and Giving Time: Reflections on ShareHolders III, December 2021. Read entire PDF.


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