Fette Sans.


-- The Cabinet / A G I R L I C A
-- The bitter ends of (the technologies of tenderness)
-- When everything she was overthinking turned out to be true
-- Models of Adaptation
-- The night would lie during the day
-- Resonance of an awkward smile
-- (re-)discipline in [redacted]
-- If I can't sleep at night is it because I am awake in someone else's room?
-- TЕПЛИЧНOE РАСТЕНИЕ (hothouse plant)
-- I am afraid you could have been misled
-- Untitled [The Fabulist Hunting the Fringes]
-- La Reprise (Dérive)

-- Precarious Gossips

-- Editions

-- Info


La Reprise (Dérive)

Film work. This is an exercise in continuity and distortion. This experimental film began on June 20, 2020. As of October 2, 2022, it is 120 min / weeks long.

Every week, a subsequent minute is produced by combining scenes shot that week with archival material from the past years. Footage and sound are consistently recorded with the same single device (an iPhone).
The film may distort, but there is always a presumption that something exists, or did exist, which is what was recorded.
The sequences are neither true nor false, they integrate various degrees of theatricality and authenticity. They become portraits of an agitated immersion in the perpetual process of systematic indexing and gathering, and of close observations.

I am a passenger, a witness to recurrences and patterns.

This continuous collage of archives is the tension. The narrative is disconnected from the sum of its parts, and elaborates on successes and failures.

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