The Cabinet / A G I R L I C A The bitter ends of (the technologies of tenderness) When everything she was overthinking turned out to be true Models of Adaptation La Reprise (Dérive) |
As someone distrustful of personal writing, 2016 Installation. Unique. Dimensions variable 6 framed pigment prints on Hahnemühle William Turner 310 gsm, 2 latex inkjet prints, 2 xerox prints, 1 found photograph, 2 laser prints. Text excerpt from I am afraid you could have been misled + 35 excerpts from Untitled (From the ballad of) (left) and 35 excerpts from Untitled (From the ballad of) (right), 500 Xerox prints on recycle paper, some pages marked and/or signed, nailed to the wall, and 2 gelatin silver prints. Part of the group exhibition Raw Desires: Brutalism and Violent Structures at Circle Culture Gallery, Berlin. September 17- December 17, 2016 |
Courtesy of Circle Culture Gallery, photo: anna.k.o.
* Call me by all the names you know I have that sound liquid / It's only real if I say it / Evidently it can't be everything because No one is free until everyone is free
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