| The Cabinet / A G I R L I C A The bitter ends of (the technologies of tenderness) When everything she was overthinking turned out to be true Models of Adaptation La Reprise (Dérive) |
Untitled (A picture caption trying to explain why she's not crazy), 2019 Performance. A tenderly deranged homage to Gena Rowland. A figure is rehearsing her lines. A cell phone holder clamped to a chair is wearing a blonde wig I AM TRYING TO DO WITH MY LIFE WHICH FEW OTHER PEOPLE TRY TO DOAND I HAVE FEELINGS TOO I AM STILL HUMAN ALL I WANT IS TO BE LOVED, FOR MYSELF AND FOR MY TALENT (This is the most ridiculous crazy idea I’ve ever seen) Did she have a stage mother as we have heard of stage mothers? Oh, she did, she had one that wouldn’t quit, a mean one, she was really jealous because she had absolutely no talent herself She always suspected her mother traded sex for favors with producers and studio executives Part of the group exhibition Wild Card Character curated by Manuel Kirsch, at BKV Potsdam. June 8 - July 28, 2019 |
* Call me by all the names you know I have that sound liquid / It's only real if I say it / Evidently it can't be everything because No one is free until everyone is free
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