| The Cabinet / AGIRLICA The bitter ends of (the technologies of tenderness) When everything she was overthinking turned out to be true Models of Adaptation La Reprise (Dérive) |
Untitled (Korpus matt), 2014 Inkjet print, metal, particleboard, a jar of JA! sausages, money, an altar of sugar, an altar of fat and an altar of concrete, one latex Radicalize Contemplation. Dimensions variable. Unique. Part of the group exhibition Gloria Viktoria, Monument Strategies for Europe!!! at Marterie Project Space, Offenbach, November 2018 |
* Call me by all the names you know I have that sound liquid / It's only real if I say it / Evidently it can't be everything because No one is free until everyone is free
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