Fette Sans

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IT HAPPENED SO QUICKLY

The Cabinet / AGIRLICA
The bitter ends of (the technologies of tenderness)
When everything she was overthinking turned out to be true
Models of Adaptation
La Reprise (Dérive)



EVERYTHING ALL THE TIME *

Models of Adaptation (S6E1 H-0)
Every passerby a culprit
Hereditary Genius
Models of Adaptation (S5E6 H-3)
The Questionnaire
Untitled (ON WHAT)
When everything she was overthinking turned out to be true (Prada)
Models of Adaptation (S5E5 H-0)
Models of Adaptation (S5E3 H-2)
DEDIĆ
When everything she was overthinking turned out to be true (KW)
I breathe deeply into the page
Untitled (Gestures of note)
Do Not Give Me A Moment!
Sometimes The Only No I Have Is To Reverse Things (says Eileen)
Models of Adaptation (S2E5 H-0)
Models of Adaptation (S2E4 H-0)
Resonance of an awkward smile (retrieved module one)
A hole is being gnawed in my vitals (says Sappho) (book)
Models of Adaptation (S1E6 H-0)
The bitter ends of (the technologies of tenderness) (postcard)
The Cabinet / AGIRLICA
Models of Adaptation, (S2E3 H-0)
I Have Eaten So Many Diamonds They Are Now Poking Through My Skin (says Anne)
Universal-Dildo-Health-Care
без названия (with compliments)
Models of Adaptation, (S5E2 H-0)
Models of Adaptation, (S5E1 H-0)
When everything she was overthinking turned out to be true (Secession)
(re-)discipline in [redacted] (tape)
AGIRLICA (a casting call as performance or the performance of a casting call)
Models of Adaptation (S1E5 H-0)
Models of Adaptation (S4E7 H-1)
Pain Relief (2nd Phase)
The bitter ends of (the technologies of tenderness) (video)
THE SCREAMING THAT MEN CALL SILENCE
Models of Adaptation (S3E1 H-15)
A hole is being gnawed in my vitals (says Sappho)
The bitter ends of (the technologies of tenderness)
La Reprise (Dérive)
Untitled [The Fabulist Hunting the Fringes], A New Reading
Dogs of uncertain times
Strawberry Parfait
Untitled (A picture caption trying to explain why she's not crazy)
The night would lie during the day
This is an experimental simulation of an engagement between (...)
Untitled (If I cant sleep at night is it because I am [excluded])
On Fem-Cruising
Resonance of an awkward smile
If I can’t sleep at night is it because I am [redacted] Part I&II
FEELINGS ARE IRRELEVANT
MONA TEAR-OFF
A THOUSAND SUNS, FOR K
Delivered (I Just Want To Connect With U)
Precarious Gossips
(re-)discipline in [redacted]
Meanwhile
Radicalize Contemplation
Untitled (If I can’t sleep at night is it because I am awake [redacted] with Dr Younes)
Untitled (If I can’t sleep at night is it because I am awake [redacted] with Sophie Yerly)
I am destined to be in this room with you
If I can't sleep at night [redacted]
TЕПЛИЧНOE РАСТЕНИЕ (hothouse plant)
As someone distrustful of personal writing
An Inventory of Found Objects
I am afraid you could have been misled (video)
ERINNERUNG AUS EINEM SCHWAN
Untitled (Korpus matt)
I am afraid you could have been misled
Untitled [The Fabulist Hunting the Fringes]
Exhaustion can occur merely attempting to breathe
PERIPETEIA
Silent March
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HERE

Untitled [The Fabulist Hunting the Fringes], 2013

Performance, installation and zine. Dimensions variable.
A rehearsal inside room 433 of the Hotel Bogota at Schlüterstrasse 45 in Berlin. Tuesday, November 26, 2013
Written and directed by Fette Sans. Her: Fette Sans / Er: Ferdinand Peuker. Translation English to German: Sonja Gerdes

Her: A man, in his 30's is sitting on the edge of the bed, maybe he just arrived, maybe he has spent a night in this room already. The man is looking out the window. The man is telling her about the day he left for the institution. The day is grey already. The man leaves the bed, walks toward the window. He moves the curtain to see down the street. There is a balcony. He is thinking of smoking a cigarette on the balcony.
(She sets the camera facing him sat on the edge of the bed. He looks at her, then looks at the camera.)
Er: Weisst du, ob wir in dem Zimmer rauchen dürfen? Ich will eine Zigarette rauchen.
(She grabs a chair and brings it close to the camera so she can check the footage.)
Her: I don't know. Maybe. She doesn't know. She tells him she doesn't know. I don't know really. I don't think so.
(A voice says: This is the hotel.)
(Then there are jangling sounds or like something is going wrong with the camera.)
Her: The scene ends. Inside the theatre it should start raining.
Er: Es sind Kameras überall. Wie werden wohl unsere Träume aussehen, wenn alles sichtbar wird? Du wirst davon träumen blind zu sein. Er wird davon träumen, dass er sie aufweckt. Him: There are cameras everywhere. What will our dreams be made of when everything becomes visible? You will dream of being blind. He will dream of waking her up.
Her: From the bed, the man is looking at the windows. His face is grave. The man is restless.
Er: Der Mann ist ruhelos.
Her: The man is restless.
(Silence)
Her: The man is waiting for someone. He wants to be waiting for someone.
Er: Weiss jemand, ob er angekommen ist? Weiss jemand, ob er die Anstalt verlassen hat? Fühlt er sich danach jemanden anzurufen?

 









* Call me by all the names you know I have that sound liquid / It's only real if I say it / Evidently it can't be everything because No one is free until everyone is free
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