Fette Sans.


-- The bitter ends of (the technologies of tenderness)
-- The night would lie during the day
-- Resonance of an awkward smile
-- (re-)discipline in [redacted]
-- If I can't sleep at night is it because I am awake in someone else's room?
-- TЕПЛИЧНOE РАСТЕНИЕ (hothouse plant)
-- As someone distrustful of personal writing
-- I am afraid you could have been misled
-- Untitled [The Fabulist Hunting the Fringes]
-- Exhaustion can occur merely attempting to breathe
-- The non-committed silence of the captive
-- La Reprise

-- Precarious Gossips

-- Editions

-- Info


La Reprise

Film work. La Reprise was an exercise in continuity and distortion begun on April 21, 2013 which ended on December 14, 2014.

Every week, a subsequent minute was produced by combining scenes shot that week with archival material from the past years. Footage and sound were consistently recorded with the same single device.
The film may distort, but there is always a presumption that something exists, or did exist, which is what was recorded.
The sequences are neither true nor false, they integrate various degrees of theatricality and authenticity. They become portraits of an agitated immersion in the perpetual process of systematic indexing and gathering, and of close observations.

I am a passenger, a witness to recurrences and patterns.

This continuous collage of archives is the tension. The narrative is disconnected from the sum of its parts, and elaborates on successes and failures.

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